- Final Cut Pro - Training and Resources - Apple
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Final Cut Pro - Motion - Apple
- Final Cut Pro - Apple
Creatives all over the world are adapting to a new way of life, and the support flooding in from the design community is awe-inspiring. Finances are a cause of concern for many at this difficult time, and in an effort to help, we've seen a number of services offered for free here's our round up of free resources currently available. Apple is the latest company to get on board, currently offering Final Cut Pro X free for 90 days opens in new tab — voted by us as one of the best video editing software programmes around.
Final Cut Pro previously came with a free day trial, but Apple has extended this amid the Covid outbreak. All you need to do is fill in the form opens in new tab to get access to Final Cut Pro X version Users already on a Final Cut Pro trial are eligible to extend to the day offer too. In addition to this, Apple is also due to launch for the first time ever a free trial on its music production suite Logic Pro X. Set to go live in the next few days, there's no word on when either of these trial offers will end, however the word is Apple will switch back to a day trial for both apps after a limited period.
Apple hopes This offer could potentially help creatives make some big savings over the next few months, which will come as very welcome news.
If you're in need of some new hardware to get going with this software, you can save on Apple devices too with these unbeatable prices:. Join now for unlimited access. Kerrie Hughes is Editor at Creative Bloq currently on maternity leave. One of the original CB crew, Kerrie joined the team back in after moving from her role as staff writer on 3D World.
Apple has extended the free trial for Final Cut Pro X from 30 days to 90 days. This should come as a real boon for creatives who are feeling the pressure of reduced budgets during the coronavirus pandemic, as well as students who would normally struggle to afford premium video editing software.
To get it, simply enter your name, email address and country on Apple's sign-up page opens in new tab , then click 'Download free trial'. While Apple's website doesn't yet mention it, the company has said it's also planning to offer a day trial of its audio editing suite Logic Pro X opens in new tab. There has never been an opportunity to test Logic Pro X free before, so this will be welcome news to anyone who's considered investing, but has been hesitant to commit without trying it beforehand.
- Final Cut Pro - Free Trial - Apple (UK)
This is an outstanding video editor for Apple devices. It helps you to edit videos by moving and trimming clips without collisions or sync problems. In addition, it provides you with the most advanced organizing tools found in the professional video editing system.
The full version of this software helps you to create 2D and 3D titles. Further, it allows you to apply and modify filters to your videos. Also, you can produce a green and blue-screen effect by using a built-in chroma key. Moreover, the final cut pro x Also, you can edit multichannel audio. Many people love this program not only because it has many features and tools, but also for its ease of use. When both private users and entire enterprise want to save money, they begin searching for unlicensed Final Cut Pro free download.
Most often, this entails negative consequences. There is the risk of infection with computer viruses from partial loss of data to complete loss of the contents of the hard drive or other malicious programs.
It endangers the information security of the company. Lack of technical support from the developer and guarantees of proper functioning of the product. Looking for Final Cut Pro illegal download, enterprises should understand that their activities can be paralyzed any time if law enforcement agencies decide to check their activity and the confiscate computers and servers. The distribution can be "flashed" with special malicious modules. After the installation, they will intercept confidential information and send it to the hacker.
There are many organizational tools and a big set of video production apps. The program provides support for multi-track video editing. Besides, there are several deinterlacing algorithms. Again, if you have to work in a nonstandard frame rate, you're out of luck.
As a sign from the future of where Apple wants to take video editing, FCPX supports 4K resolutions at 60 progressive frames per second. Additionally, there are options for audio and video rendering, which default to Surround Sound at 48KHz, and variable bit rate ProRes ProRes HQ, ProRes , and Uncompressed bit are also available as options, if you need those extra bits of color information or editing with an alpha channel.
However, for most editors, ProRes offers a good balance between speed and drive space. Perhaps the most unsettling behavior so far is that Final Cut Pro X doesn't let you specify where you want to save your project file in the New Project dialog box. By default, FCPX creates new projects in the root directory of whatever drive you have selected in the Project Library.
This is highly frustrating. Being able to specify a location for project files is incredibly important. For example, it's common for an editor to routinely save projects in network drives and organize by folders and subfolders.
Render files are saved in the same folder as the project files. Render files are essentially media files that FCP uses to save rendered work, like effects. So even if you are diligent enough to create a new project on a separate hard drive, your render files must live in the same folder. For Apple, it's again a difference of philosophy.
Users lose some granularity when choosing a scratch disk, but they get the benefit of having a single folder that they can move around, complete with their projects' rendered media. Additionally, the program can import codecs supported by QuickTime. Instead, we just get options for importing media files and importing files from a camera. The new Final Cut Pro X really embraces a file-based workflow. The closest option might be the Import From Camera. It's sort of an attempt at combing capture from tape and capture from memory card sources.
The new import interface does support FireWire and can read mounted memory cards, as well as control playback options using the classic JKL rewind-pause-play keys.
It doesn't support importing certain types of files. HDV is still supported, but oddly only over tape on FireWire. Apple says it is working with companies like Sony and Red to create plug-ins that will allow FCPX to be a one-stop-shop for importing video. Final Cut Pro X does have a Supported Cameras page, but it isn't as long as we'd like, nor is it completely up to date. Also, it's also not entirely obvious that some formats like P2 have to be imported through the Import From Camera option and not the Import Files option.
Import options If you do have compatible files or footage to import into Final Cut Pro X, there are some great new options that give you a taste of what Apple has been working on these last three years of developing FCPX.
You can create a new event, or you can add to an existing event. Fortunately, you can select which drive you'd like to import your footage to from this dialog box. By default, Final Cut Pro X will copy over your media files and automatically organize the footage for you using Content Auto-Analysis.
Not only do you get the standard metadata that FCPX would collect like frame rate, codec, resolution, and more, but it also borrows some technology from iPhoto and iMovie to automatically detect people in the shot as well as shot size. Additionally, Content Auto-Analysis analyzes footage for color balance, audio problems, shaky footage, and even the notorious rolling shutter distortion that occurs with many CMOS-based cameras when panning.
FCPX can even transcode supported footage as it imports into native ProRes as well as create small proxy media files, if you're working on a low-power machine. Other smart features include the ability to intelligently group mono or stereo audio channels and remove silent audio channels. Event Library The Events Library organizes your media in a tree with the main branches being the hard drives connected to your system.
There are many things in the above sentence that might make a few people unhappy, but fortunately, you can import footage into your local Event Library without having to copy over gigabytes of data. Final Cut Pro X will create links to your remote media.
Just be sure to deselect the copy files to FCPX's events folder, otherwise the media will be copied to whatever drive you have set up for your events. Previous versions of Final Cut Pro X had fairly limited metadata abilities.
You could comment and mark a clip as a good or bad take, but the new FCPX brings metadata into the world of Google. When importing footage, Smart Collections will automatically create a number of premade groups based on things like whether the shot is a wide, medium, or close-up. It will also detect people and group them together. The power of the new metadata engine comes from its extensibility.
Users can now create their own keyword tags, and even tag-specific sections of clips using custom keywords. All this tagging and metadata becomes incredibly powerful when you realize that Final Cut Pro X adds search capabilities. For example, a user can tag all the footage of an interviewee, and then perform a search query looking for medium-only shots for that interviewee. Loggers and assistant editors will be much happier.
Apple also says that the metadata engine will be extensible via third-party plug-ins, so it won't be too far from the day that we see plug-ins that transcribe and auto-sync transcripts to video. One project, one timeline As you discover the quirks of the new interface, one thing that might not be so obvious is that there is exactly one timeline or sequence to every project.
That might sound natural for amateur video editors, but it's a major change for professionals. Editors routinely duplicate sequences in the same project, so that if you have to go back to a previous version because the new sequence just didn't work out, it's right there.
For now, Apple says that if you want to create a snapshot of the current sequence, you can use the Duplicate feature in the menu bar, which creates a new copy of your current project. Fortunately, projects are easily viewable from the Project Library. While many will be upset that projects can only contain a single timeline, Apple has really rethought the old track-based timelines, and in the process created some innovations that might make the lack of multiple timelines more palatable.
Final Cut Pro X's most touted feature has got to be the new Magnetic Timeline and all the features that build off of it. Tracks have disappeared, and instead we have what Apple calls "lanes.
Like lanes of traffic, clips automatically make room for one another when you move them on the timeline, so you never have to worry about accidentally overwriting a track of audio or video.
It's magnetic because clips automatically ripple i. New and amateur video editors will absolutely love the Magnetic Timeline, but it is going to take some time and practice before you see many professional editors embracing it. Most professional editors won't admit it, but we do spend too much time making room for clips we want to insert, closing up gaps and keeping everything in sync.
Admittedly, we find ourselves itching to press the T key for the Track tool to make some space in the timeline. By just double-clicking on the border where two clips meet, the Inline Precision Editor will expand the clips to show all the footage available in the outgoing and incoming clips. As many gripes as we might have with the loss of separate Viewer and Canvas windows, the Inline Precision Editor is a much better view of footage than Trim Mode.
You can now easily see how much more footage you have left in each clip. Once you have extended or decreased the selection, the timeline ripples all the changes through the sequence, keeping everything in sync.
In previous Final Cut Pro apps, you would have to tediously separate out the clips from a sequence before moving them around.
Now, with Clip Connections, you can have multiple pieces of video, title and audio move around on the time line and remain perfectly in sync. In large projects, once you've finished a complex scene or segment, you can now group all the audio, title, and video clips together to act as a single massive clip.
It's a bit like nested sequences, but much easier to use. Effects can be applied as a whole onto Compound Clips, and video can even be retimed as one giant clip.
All the while, they remain perfectly in sync. Apple says editors won't have to create multiple sequences for each scene, but can use compound clips instead. New Releases. Desktop Enhancements.
Networking Software. Software Coupons. Visit Site. Developer's Description By AppDesigner. Final Cut Pro X is a game changer.
It's totally rebuilt from the ground up with advanced features and tools that make it one of most powerful--yet easy to use--video editing software available. In this free Overview and Quick Start Guide tutorial by Apple courseware author Michael Wohl, you will get a solid understanding about what this revolutionary new version of Final Cut Pro is all about.
He also covers the built-in Color Matching, the incredible array of audio enhancements, the media library and much, much more. Full Specifications. What's new in version.
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